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Tierra de miel: honeyland by harley cortez

World premiere of this captivating series that explores genetic memory, migration, and the landscapes we inherit from family.

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PUBLIC VIEWING HOURS:

Saturday, October 24th

12pm–3pm

Friday, November 6th

4pm–6pm

Saturday, November 7th

12pm–3pm

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INSTALLATION VIEWS

Selected WORKS

every tear is a door as angels slip from the branches, 2026

every tear is a door as angels slip from the branches, 2026

every tear is a door as angels slip from the branches, 2026

Oil, acrylic, oil stick, oxidation on canvas

48 × 48 × 1.5 in

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Caminante no hay Camino [No.3], 2026

every tear is a door as angels slip from the branches, 2026

every tear is a door as angels slip from the branches, 2026

Mixed media on canvas

55.5 × 61 × 2 in

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Lago (Dreams of a Canyon Village), 2026

every tear is a door as angels slip from the branches, 2026

Lago (Dreams of a Canyon Village), 2026

Mixed media on canva

69 × 52.5 × 2 in

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Tierra de Miel, 2026

Tierra de Miel, 2026

Tierra de Miel, 2026

Oil, acrylic, oxidation on canvas

42 × 42 × 1.5 in

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Familia, 2026

Tierra de Miel, 2026

Tierra de Miel, 2026

Oil, acrylic on canvas

48 × 60 × 1.5 in

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Sin Tierra, 2026

Tierra de Miel, 2026

Sin Tierra, 2026

Oil, acrylic, washi paper on canvas

40 × 30 × 1.5 in

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Epoch of Loneliness, 2026

Epoch of Loneliness, 2026

Epoch of Loneliness, 2026

Mixed media on canvas

40 × 30 × 1.5 in

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California Fields, 2026

Epoch of Loneliness, 2026

Epoch of Loneliness, 2026

Mixed media on wood

24 × 24 × 1.5 in

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Moyuta, 2026

Epoch of Loneliness, 2026

Moyuta, 2026

Oil, acrylic on canvas

48 × 36 × 1.5 in

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Gallo y Oso (Inglewood), 2026

Oil, acrylic on canvas

48 × 48 × 1.5 in

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about the artist

Harley Cortez

Harley Cortez is a Guatemalan-American multidisciplinary artist working across painting, film, music, performance, and curatorial practice. Raised between Los Angeles and Queens, with formative ties to Guatemala, his work is shaped by movement between places, languages, and cultural histories. He came to painting through music and film, and those disciplines still guide the way he works. Ash, charcoal, earth pigments, oxidation, text, and automatic gesture produce surfaces that feel excavated rather than composed.


Cortez has exhibited across the United States, Mexico, Australia, and Japan, including Museo Jumex, Museo Tamayo, and the Museo de Arte Moderno in Mexico City, as well as galleries in New York and Los Angeles. His solo exhibition OJALÁ, staged during Frieze Week in Los Angeles* at Dries Van Noten’s The Little House Gallery, brought painting into conversation with sculpture, original music, and moving image, named one of “10 Standout Shows Around Town for Art Week” (C Magazine, 2/20/25).



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Wright Group Gallery

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